Shamanic Healing Drumming –
Rhythm as Horse
Mircea Eliade called it the "horse of the shaman". The drum carries — and it carries precisely. Into a state of consciousness no other tool opens so reliably.

Why does this actually work? Why is a steady rhythm on a stretched skin enough to shift perception? The answer is ancient and at the same time strikingly new. Ancient, because shamanic cultures in Siberia, Northern Europe, the Amazon, and North America have known for thousands of years that the drum carries. New, because for some fifty years we have also been able to describe neurologically what happens in the brain during this work.
Both belong together. The shamanic tradition does not need science for its legitimacy. But anyone coming from a sceptical culture — and in Central Europe we all do — is helped when tradition and research meet. The drum is a place where exactly that happens.
The drum is universal
Anyone who goes through the ethnographic literature finds something remarkable: almost every shamanic culture has a drum. Or something equivalent — rattle or sound stick. The cultures developed independently of each other, and yet they arrived at the same solution.
The Inuit drum in Alaska and Greenland. The Sami drum on reindeer skin in the far north of Europe. The Siberian Tungus, Buryats, and Yakuts have drum forms far older than Russian ethnography describes. In Africa, the drum is a culture-carrier. Among the Plains nations of North America, among the Curanderos of the Amazon, in Haitian voodoo, in Tibetan Bön: the drum is always there.
"Rhythm is the horse that carries the shaman to the other world."
Eliade was a historian of religion, not a shaman. But he was among the first to record systematically what shamanic cultures said about their own practice. And the image of rhythm as a horse has stayed — because it is so precise. Not walking. Not running. Riding. Something else carries. The shaman steers.
The neurology of drumming
In the 1960s and 70s researchers — above all the anthropologist Michael Harner, later Felicitas Goodman — began systematically measuring what happens during shamanic drumming. The result is well documented today.
When a steady rhythm of about 4 to 7 beats per second is played, something happens in the brain that neurologists call entrainment: the electrical activity of the brain begins to synchronise with the external frequency. At these frequencies, theta waves are increasingly produced.
Theta waves are the state of consciousness between waking and deep sleep. It is the state in which dreams arise. The state in which images become free. The state that deep meditation forms reach after long practice — and that the shamanic rhythm opens within minutes.
This is not magic. It is physiologically reproducible and measurable by EEG. But — and this is crucial — access to the state is not the same as the encounter that happens within it. Neurology explains the gate. It does not explain what comes through.
The shamanic practice
What does it look like in concrete terms? In the wolf shamanic tradition Dr. Mark Hosak practises, there are three clear phases.
1 · Calling drum
Before the actual journey begins the drum is woken. Not metaphorically — in the tradition the drum is understood as a being, not a tool. A calling rhythm, usually slower and more variable, greets the drum. Some shamans speak to it. Others blow their breath onto the skin.
Whoever is starting out can keep this part small. Touch the drum three times. Breathe deeply once. Name the intention. That is enough as an entry.
2 · Journey drum
The main part. Steady rhythm in the theta frequency. Usually without melody, often without accents — the rhythm does not want to entertain, it wants to carry. The steadier, the deeper the journey can go. Unpractised people usually need 3–5 minutes until the state opens. Trained people are faster.
During this phase the actual shamanic work happens. Encounters with power animals. Lower- or upper-world journeys. Diagnostic perceptions in healing work. What exactly happens depends on practice and tradition.
3 · Recall
At the end, four sharp, short beats. A clear signal that the journey ends. Then more silence. Take a breath. Drink. Orient yourself. Never stand up immediately and walk into daily life.
This structure is similar in almost all shamanic cultures. It is not a protocol you memorise. It is the natural form that arises from the content.
Your first own journey
If you want to try shamanic drum work yourself, here is a grounded entry. This is not an initiation — initiation happens through direct ritual transmission. This is the preliminary stage: getting to know the tool independently.
- Find a room where you will not be disturbed for 30–40 minutes. Phone off. Door closed. Dimmed light is ideal.
- Lie on your back or sit comfortably. A blanket over the eyes helps.
- Formulate a clear intention — not "I want to make a journey", but a concrete question or concern.
- Use a reliable drum recording in the theta frequency (there are many serious recordings; Mark's book includes a CD).
- Let the images come as they come. Do not force. Do not interpret while still inside. Just be.
- At the recall, come back. Take your time. Write down what was.
The most common pitfalls on first attempts: falling asleep, getting caught in the head, feeling disappointed because "nothing happened". All of that is normal. The drum is a tool that becomes more familiar with time. Whoever has practised three, four, five times experiences different things than the first time.
Not every journey brings a clear answer. But every journey leaves a trace.
Why tradition still matters
You can also work with the drum alone. Many people do that. What ritual transmission within a tradition adds is something you cannot get from books: embedding in a lineage.
In the wolf shamanic tradition the drum is not only blessed at initiation — a transmission is performed that has carried the rite for generations. The drum becomes a connection with something larger than the individual. This is hard to describe. It becomes clear when someone who knows both — free drumming and initiated drumming — experiences the difference.
For the entry, your own practice is enough. For the depth, the tradition is eventually needed. Whoever feels they stand at that threshold, knows it.
The book "Shamanic Healing Drumming"
The scientific foundation, the ritual practice, and audible drum rhythms for your own journeys. Dr. Mark Hosak's standard work on shamanic drumming — with entry instructions and deepening chapters on tradition.